Play Along Piano

Tags

Baroque

Petri Sainio

2:07	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

Henry Purcell - A New Scotch Tune, Z.655

Joâo Schnier

1:00	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭1	12	0	1	6	100%
Clarinette en Si♭2	7	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭1	12	1	6	100%
Clarinette en Si♭2	7	1	6	100%
Clarinette en Si♭3	9	2	6	100%
Clarinette Basse	13	1	6	96%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	3	19%
	4	0	0	1	38%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	3	19%
	4	0	1	38%
	9	0	4	23%
	8	0	3	27%
B.c.	19	3	4	100%
Violino I	22	5	6	100%
Oboe I	14	2	6	96%
Viiolino	22	5	6	92%
Oboe II	12	0	5	77%
Taille	11	0	5	77%
Viola	13	1	5	73%
Violino II	12	0	5	73%
Corno	5	0	1	38%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

Canon in D

modulusshift

1:52	Est. Play Time
57	Measures
	1,998Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	1	0	2	100%
Violoncello	6	0	0	1	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	1	0	2	100%
Violoncello	6	0	0	1	100%
Violin	21	0	2	6	96%
	21	0	2	6	93%
	21	0	2	6	89%

J.S. Bach Organ Themes for Strings and Woodwind Quartet

DaPlipsta

3:09	Est. Play Time
65	Measures
	1,383Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabassi	13	0	2	6	92%
Violoncelli	17	0	5	7	85%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabassi	13	2	6	92%
Violoncelli	17	5	7	85%
B Clarinet	18	7	9	78%
Flute	17	4	8	78%
Oboe	18	5	8	63%
Violins 2	18	6	8	63%
Violins 1	16	3	7	52%
Violas	20	6	7	49%
Bassoon	18	3	8	43%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

The Prince of Denmarks March Brass Quintet

Flávio Régis Cunha

2:10	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	13	0	1	6	100%
Trombone	13	0	2	6	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F	13	1	6	100%
Trombone	13	2	6	100%
Trumpet I in C	12	2	8	100%
Trumpet II in C	15	2	7	100%
Tuba	12	2	5	79%
Timpani	2	0	7	49%

Clarinet Concerto in D Major, Op.55, OW.22

IGitzDiz

10:39	Est. Play Time
136	Measures
	1,519Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	28	4	13	10	100%
Violino II	24	12	9	8	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I	28	4	13	10	100%
Violino II	24	12	9	8	98%
Viola	22	2	8	7	97%
Violoncello e. Basso.	25	1	12	7	95%
Clarinetto principale in A/La	31	0	13	10	75%
2 Corni in A/La	11	5	2	7	26%
2 Oboi	10	2	3	7	24%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

Eternal Source of Light Divine - G. F. Händel

Yasmineleches

3:02	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Posaune	10	0	1	9	68%
	17	0	4	9	84%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Posaune	10	1	9	68%
	17	4	9	84%
	13	2	6	100%
	16	3	5	97%